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Who do we see? Puppet or puppeteer?

January 31, 2012


This practical course explores various aspects of when actors and objects share the stage; how different amounts of presence and neutrality can be used for dramatic effect; how to shift focus between human and puppet; and how to guide the spectator’s attention accurately so that it is for dramaturgical reasons, and not by accident, that the audience looks at the actor or the puppet or at both.

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